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Musikk og lyd i film og fjernsyn

Emnekode: FFV2002/1

Semester: Høst
Antall studenter: 14
Emne ansvarlig: Tore Helseth

Obligatorisk litteratur - Bøker

Pensum kan kjøpes hos: SINN bok | bok.lillehammer@sinn.no

Iversen, Gunnar og Asbjørn Tiller (2014) Lydbilder. Mediene og det akustiske. Oslo: Universitetsforlaget (150 s.)

Larsen, Peter (2013) Filmmusikk. Historie, analyse, teori (2. utg.). Oslo: Universitetsforlaget (260 s.)

Helseth, Tore (red.) (1997). Mørkets musikk. Musikk i norske kinofilmer. Oslo: NFI (75 s.) http://www.nb.no/nbsok/nb/c07c7f143807dd454888c22bb31585f2.nbdigital?lang=no#0

Kompendium (Obligatorisk pensum)

Kompendieinnhold er tilgjengelig på to måter. Innhold merket med * (stjerne) finnes kun digitalt tilgjengelig i Fronter. Annet innhold er direkte klikkbare lenker. Skriv ut hele eller deler av innholdet selv.

*T. Corrigan & P. White (2015) 'Film Sound: Listening to the Cinema', i The Film Experience. An Introduction 4th ed. Boston: Bedford (s. 175-209)

*Michel Chion (1994) ‘Projection of Sound on Image’ i Audio-Vision. Sound on Screen. New York: Columbia University Press (s. 3-24)

*Jeff Smith (1996) 'Unheard Melodies? A Critique of Psychoanalytic Theories of Film Music', i Bordwell & Carroll (eds.) Post-Theory. Reconstructing Film Studies. Madison: University of Wisconsin Press (s. 230-247)

*Claudia Gorbman (1987) 'Classical Hollywood Practice: The Model of Max Steiner', i Unheard Melodies. Narrative Film Music. London: BFI (s. 70-98)

*Theodor Adorno & Hanns Eisler (2005 [1947]) 'Prejudices and Bad Habits', i Composing for the Films. London: Continuum (s. 3-19)

*Pauline Reay (2004) 'Synergy and the Commercial Functions of Film Music', i Music in Film. Soundtracks and Synergy. London: Wallflower (s. 89-110)                

*Jeff Smith (2013) 'The sound of intensified continuity', i The Oxford Handbook of New Audiovisual Aesthetics. Oxford: Oxford University Press (s. 331-356)

*Claudia Gorbman (2007) 'Auteur Music', i Beyond the Soundtrack. Representing Music in Cinema. Berkeley: University of California Press (s. 149-162)

*James Wierzbicki (2012) 'Sonic Style in Cinema', i Wierzbicki (ed.) Music, Sound and Filmmakers. Sonic Style in Cinema. New York: Routledge (s. 1-14)

*Paul Théberge (2008) 'Almost Silent. The Interplay of Sound and Silence in Contemporary Cinema and Television', i Beck and Grajeda (eds.) Lowering the Boom. Critical Studies in Film Sound. Urbana: University of Illinois Press (s. 51-67)

*Roy M. Prendergast (1992) 'Music for Television: A Brief Overview', i Prendergast: Film Music, a Neglected Art. New York, Norton & Company (s. 274-287)

*Annette Davison (2013) 'Title Sequences for Contemporary Television Serials', i The Oxford Handbook of New Audiovisual Aesthetics. Oxford: Oxford University Press (s. 146-167)

*Michael Chanan (2007) ‘Soundscapes. The Challenge of Sound’, i The Politics of Documentary. London: BFI (s. 115-132)

*Holly Rogers (2015) ‘Music, Sound and the Nonfiction Aesthetic', i Rogers (ed.) Music and Sound in Documentary Film. New York: Routledge (s. 1-19)

*Sarah Kozloff (2000) ‘The Functions of Dialogue in Narrative Film’ i Overhearing Film Dialogue. Berkeley: University of California Press (s. 33-63)

Sergi, Gianluca (1998) 'Tales of the Silent Blast. Star Wars and Sound'. Journal of Popular Film & Television, Vol. 26, no 1 (10 s.) 

Iben Have (2014) ’Musik som kommunikativ emotionel praksis i Armadillo',i Dansih Musicology Online Special Edition 2014. http://www.danishmusicologyonline.dk/arkiv/arkiv_dmo/dmo_saernummer_2014/dmo_saernummer_2014_04.pdf

Svein Høier (2014) 'Surrounded by ear candy? The use of surround sound in Oscar-nominated movies 2000-2012', i Nordicom Review Vol. 35, special issue (s. 251-262) http://www.nordicom.gu.se/sv/publikation/forfattare/svein-hoier

Supplerende

Buhler, Neumeyer & Deemer (2010) Hearing the Movies. Music and Sound in Film History. New York: Oxford University Press

Cooke, Mervyn (2008) A History of Film Music. Cambridge: Cambridge University Press.

Wierzbicki, James (ed.)(2012) Music, Sound and Filmmakers. Sonic Style in Cinema. New York: Routledge

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