Høgskolen i Innlandet
Høgskolen i Lillehammer er fra Høgskolen i Innlandet


Emnekode: FFV1001

Semester: Høst
Antall studenter: 11
Kull:  2016
Emne ansvarlig: Tine Blom

Obligatorisk litteratur- Trykt (ikke kompendiuminnhold)

Pensum kan kjøpes hos: SINN bok | bok.lillehammer@sinn.no

Barthes, R. (2000): Camera Lucida. Reflections on Photography. London Vintage Books.

Berger, J. (1977): Ways of Seeing. London: Penguin

Cresswell, T. (2004): Place. A Short Introduction, Blackwell: Malden, Mass.Cha. 1-4. p. 1-123.    

Harper D. (2012): Visual Sociology, Routledge, London Cha. 1-9; p. 1-206

Sontag, S. (2002): On Photography. Penguin Classics. London: Penguin

Kompendium (Obligatorisk pensum)

Kompendieinnholdet finnes tilgjengelig digitalt i Fronter. Skriv ut hele eller deler av innholdet selv.

Benjamin, W. (1937): Extract from the Work of Art in the Age of Mechanical Reproduction  in Wells, L. (2003): The Photography Reader. London: Routledge. p. 42-52.

Ingold, T. (2011): Being Alive. Essays on movement, knowledge and description. Routledge,  London. Cha. 12. Against space: Place, movement, knowledge. p. 145-155. 

Marion, J.S. & Crowder, J.W. (2013):Visual Research. A concise introduction to thinking visually. Bloomsbury, London

  • Cha. 1. The Ethics of images. p. 3-11. 
  • Cha. 5. Photography. p. 52-66

Pink, S. (2007): Doing Visual Ethnography. Sage Publications. London. Cha. 6. Ethnographic Photography and Printed Text. p. 147-167.

Rose, G. (2011): Visual Methodologies. An introduction to the interpretation of Visual   Materials. Sage Publications. Cha. 2. Towards a critical visual methodology. p. 19-40.

Obligatorisk litteratur – åpne nettressurser og e-ressurser fra HINN Lillehammers databaser. Trykk på lenke for å få tilgang til litteraturen

Bourdieu, P. & Marie-Claire (2004): The peasant and photography in Ethnography, Vol 5(4): 601-616, http://eth.sagepub.com.ezproxy.hil.no/content/5/4/601.full.pdf+html     


Baudelaire. C. (1863/ 1995): The Painter of modern life and other essays. Phaidon Press. London. III. The Artist, Man of the World, Man of Crowds, And Child. p. 5-12.

Jay, B. (2000): Occam's Razor. An Outside-In View of Contemporary Photography. Tucson: Nazraeli Press.

Ingold, T. (2000).The perception of the environment.  Routledge. London. Cha. 14. Stop. Look. Listen! Vision, hearing and human movement. p. 243-249, (chapter section).

Pink, S. (2007):Doing Visual Ethnography. Sage Publications. London. Introduction, Cha.1-3, p. 1-95.   

Solnit, R. (2001):Wanderlust – A history of walking. Verso, London. p. 3-13, 196 - 213. 

  • Cha. 1. Traces of a Headline. An Introduction
  • Cha. 12. Paris, or Botanizing on the Asphalt


Brougher, K. and R. Ferguson (2001): Open City. Street Photography since 1950. Oxford: Museum of Modern Art Oxford / Hatje Cantz Publishers.

Mead, M. and Bateson, G. (1942): Balinese Character: a photographic analysis. Part of the Series Special publications of the New York Academy of Sciences, New York

Riis, J. A. (1971): How the other half lives. Study among the tenements of New York. New York: Dover Publications Inc.

Tilhørende Studium

Tilhørende emner

FFV1001 Visual Sociology 2014

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