Høgskolen i Innlandet
Høgskolen i Lillehammer er fra Høgskolen i Innlandet

Emnekode: FFV2002/1

Semester: Høst
Antall studenter: 10
Kull:  2014
Emne ansvarlig: Tore Helseth

Obligatorisk litteratur- Trykt (ikke kompendiuminnhold)

Pensum kan kjøpes hos: SINN bok | bok.lillehammer@sinn.no

Iversen, Gunnar og Asbjørn Tiller (2014). Lydbilder. Mediene og det akustiske. Oslo: Universitetsforlaget (150 s.)

Larsen, Peter (2013). Filmmusikk. Historie, analyse, teori (2. utg.). Oslo: Universitetsforlaget (260 s.)

Kompendium (Obligatorisk pensum)

Kompendieinnholdet finnes tilgjengelig digitalt i Fronter. Skriv ut hele eller deler av innholdet selv.

Karel Dibbets (1996) ‘The Introduction of Sound’, i Nowell-Smith (ed.) The Oxford History of World Cinema. Oxford: Oxford University Press (9 s.)

Michel Chion (1994) ‘Projection of Sound on Image’ i Audio-Vision. Sound on Screen. New York: Columbia University Press (21 s.)

Jeff Smith (1996) 'Unheard Melodies? A Critique of Psychoanalytic Theories of Film Music', i Bordwell & Carroll (eds.) Post-Theory. Reconstructing Film Studies. Madison: University of Wisconsin Press (14 s.)

Claudia Gorbman (1987) 'Classical Hollywood Practice: The Model of Max Steiner', i Unheard Melodies. Narrative Film Music. London: BFI (28 s.)

Theodor Adorno & Hanns Eisler (2005 [1947]) 'Prejudices and Bad Habits', i Composing for the Films. London: Continuum (17 s.)

Pauline Reay (2004) 'Synergy and the Commercial Functions of Film Music', i Music in Film. Soundtracks and Synergy. London: Wallflower (22 s.)                

Jeff Smith (2013) 'The sound of intensified continuity', i The Oxford Handbook of New Audiovisual Aesthetics. Oxford: Oxford University Press (25 s.)

Claudia Gorbman (2007) 'Auteur Music', i Beyond the Soundtrack. Representing Music in Cinema. Berkeley: University of California Press (13 s.)

James Wierzbicki (2012) 'Sonic Style in Cinema', i Wierzbicki (ed.) Music, Sound and Filmmakers. Sonic Style in Cinema. New York: Routledge (10 s.)

Paul Théberge (2008) 'Almost Silent. The Interplay of Sound and Silence in Contemporary Cinema and Television', i Beck and Grajeda (eds.) Lowering the Boom. Critical Studies in Film Sound. Urbana: University of Illinois Press (17 s.)

Roy M. Prendergast (1992) 'Music for Television: A Brief Overview', i Prendergast: Film Music, a Neglected Art. New York, Norton & Company (6 s.)

Annette Davison (2013) 'Title Sequences for Contemporary Television Serials', i The Oxford Handbook of New Audiovisual Aesthetics. Oxford: Oxford University Press (19 s.)

Michael Chanan (2007) ‘Soundscapes. The Challenge of Sound’, i The Politics of Documentary. London: BFI (16 s.)

Holly Rogers (2015) ‘Music, Sound and the Nonfiction Aesthetic', i Rogers (ed.) Music and Sound in Documentary Film. New York: Routledge (18 s.)

Sarah Kozloff (2000) ‘The Functions of Dialogue in Narrative Film’ i Overhearing Film Dialogue. Berkeley: University of California Press (30 s.)

Obligatorisk litteratur – åpne nettressurser og e-ressurser fra HINN Lillehammers databaser. Trykk på lenke for å få tilgang til litteraturen

Helseth, Tore (red.) (1997). Mørkets musikk. Musikk i norske kinofilmer. Oslo: NFI (75 s.) http://www.nb.no/nbsok/nb/c07c7f143807dd454888c22bb31585f2.nbdigital?lang=no#0

Sergi, Gianluca (1998) 'Tales of the Silent Blast. Star Wars and Sound'. Journal of Popular Film & Television, Vol. 26, no 1 (10 s.) http://web.a.ebscohost.com/ehost/detail/detail?sid=89dbb07d-e0c3-401c-aa55-49bf0bd3669b%40sessionmgr4008&vid=1&hid=4214&bdata=JnNpdGU9ZWhvc3QtbGl2ZSZzY29wZT1zaXRl#AN=552234&db=aph

Iben Have (2014) ’Musik som kommunikativ emotionel praksis i Armadillo',iDansih Musicology Online Special Edition 2014. http://www.danishmusicologyonline.dk/arkiv/arkiv_dmo/dmo_saernummer_2014/dmo_saernummer_2014_04.pdf

Supplerende

Buhler, Neumeyer & Deemer (2010) Hearing the Movies. Music and Sound in Film History. New York: Oxford University Press

Cooke, Mervyn (2008) A History of Film Music. Cambridge: Cambridge University Press.

Wierzbicki, James (ed.)(2012) Music, Sound and Filmmakers. Sonic Style in Cinema. New York: Routledge

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