Høgskolen i Innlandet
Høgskolen i Lillehammer er fra Høgskolen i Innlandet

Emnekode: FIF3015/1

Semester: Vår
Antall studenter: 8
Kull:  2016, 2017
Emne ansvarlig: Roel Puijk

Obligatorisk litteratur- Trykt (ikke kompendiuminnhold)

Pensum kan kjøpes hos: SINN bok | bok.lillehammer@sinn.no

Küng-Shankleman, Lucy (2010) Inside the BBC and CNN. Managing Media Organisations. London & New York: Routledge. (245 s.)

Kompendium (Obligatorisk pensum)

Kompendieinnholdet finnes tilgjengelig digitalt i Fronter. Skriv ut hele eller deler av innholdet selv.

Bakøy, Eva (2017 in press), Jack of all trades – leadership practices in the Norwegian film industry, i E. Bakøy, R. & A. Spicer (eds.) Building Successful & Sustainable Film & Television Businesses: A Cross-National Perspective. Bristol: Intellect. (20 s.)

Banks, Miranda J. (2014) "How to Study Makers and Making" ss. 117-132 i Manuel Alvardo, Milly Buonanno, Herman Gray & Toby Miller (red.) The SAGE Handbook of Television Studies. Los Angeles, London, New Delhi, Singapore, Washington DC: Sage Publications (15 s.).

Caldwell, John Thornton (2009) "Cultures of Production. Studying Industry’s Deep Texts, Reflexive Rituals and Managed Self-Disclosures", ss. 199-212 i Jennifer Holt & Alisa Perren (red.) Media Industries: History, Theory, and Method. West Sussex: Wiley-Blackwell. (14 s.)

Cha, Jiyoung (2013), Business Models of Most-Visited U.S. Social Networking Sites, ss. 60-85 i A.B. Albarran (ed) The Social Media Industries. London: Routledge. (25 s.)

Engelstad, Audun & Jo Sondre Moseng (2014) "Mapping a Typology of the Film Producer – Or, Six Producers in Search of an Author", ss. 34-64 i Andrew Spicer, Anthony McKenna & Christopher Meir (red.) Beyond the Bottom Line: The Producer in Film and Television Studies. Bloomsbury Academic. (19 s.)

Epstein, Edward J. (1973/2000) News from Nowhere. Television and the News. Chicago: Ivan R. Dee. (kapittel 1: Pictures from an Organisation, pp. 3—43) (40 s.)

Grindstaff, Laura (2009) "Self-Serve Celebrity. The Production of Ordinariness and the Ordinariness of Production in Reality Television", ss. 71-86 i Vicki Mayer, Miranda J. Banks & John Thornton Caldwell (red.) Production studies. Cultural studies of media industries. New York: Routledge. (16 s.)

Havens, Timothy (2011), Inventing universal television: restricted access, promotional extravagance, and the distribution of value at global television markets. I B. Moeran and J.S. Pedersen (eds) Negotiation Values in the Creative Industries. Fairs, Festivals and Competitive Events. Pp. 145-168, Cambridge: Cambridge University Press. (13 s.)

Havens, Timothy, Amanda D. Lotz & Serra Tinics (2009), Critical Media Industry Studies: A Research Approach. Communication, Culture & Critique, vol. 2; 234-253. (20 s.)

Moseng, Jo-Sondre (2017 in press), The film and television industries inn Norway, i E. Bakøy, R. & A. Spicer (eds.) Building Successful & Sustainable Film & Television Businesses: A Cross-National Perspective. Bristol: Intellect. (15 s.)

Napoli, Philip M. (2009), Media Economics and the Study of Media Industries", ss. 161-170 i Jennifer Holt & Alisa Perren (red.) Media Industries: History, Theory, and Method. West Sussex: Wiley-Blackwell. (10 s.)

Pardo, Alejandro (2013), Digital Hollywood: How Internet and Social Media Are Changing the Movie Business. Ss. 327-348 i M. Friedrichsen & W. Mühl-Benninghaus (eds) Handbook of Social Media Management. Value Chain and Business Models in Changing Media Markets. NY/Dordrecht/London: Springer. (21 s.)

Puijk, Roel (2016), Innledning. pp. 9-29 i E. Bakøy, T. Helseth og R. Puijk (red.) Bak kamera. Norsk film og TV i et produksjonsperspektiv. Vallset: Oplandske Bokforlag. (20 s.).

Redvall, Eva Novrup (2013) "A European Take on the Showrunner? Danish Television Drama Production", ss. 153-170 i Petr Szczepani & Patrick Vonderau (red.) Behind the Screen. Inside European Production Cultures. New York: Palgrave Macmillan. (17 s.)

Santo, Avi (2008), Para-television and discourses of distinction. The culture of production at HBO, ss. 19-45 i Marc Leverette, Brian L. Ott & Cara Louise Buckley (red.) It’s not TV. Watching HBO in the post-television era. New York: Routledge. (26 s.)

Scannell, P. (2003), The Brains Trust: A Historical Study of the Management of Liveness on Radio. I S. Cottle (ed). Media Organisations and Production. London: Sage.

Sundet, Vilde Schanke (2016), VGTV-serien Oljebarna. Produksjon og publisering av tv for nett. I E. Bakøy, T. Helseth og R.Puijk (red.) Bak kamera. Norsk film og TV i et produksjonsperspektiv. pp. 121-142. Vallset: Oplandske Bokforlag, (20 s.)

Obligatorisk litteratur – åpne nettressurser og e-ressurser fra HINN Lillehammers databaser. Trykk på lenke for å få tilgang til litteraturen

Dwyer, Paul (2015), Theorizing media production: the poverty of political economy. Media, Culture & Society, 37(7) 988–1004. (16 s.)

Dwyer, Paul (2016), Understanding media production: a rejoinder to Murdock and Golding. Media, Culture & Society, 38(8) 1272–1275. (4 s.)

Eliashberg, Jehoshua, Anita Elberse & Mark A.A.M. Leenders (2006), The Motion Picture Industry: Critical Issues in Practice, Current Research, and New Research Directrions", Marketing Science, vol. 25: 6; 638-661. (23 s.)

Hesmondhalgh, David & Sarah Baker (2010), A very complicated version of freedom. Conditions and experiences of creative labour in three cultural industries, Poetics, vol. 38; 4-20. (17 s.)

Ivar John Erdal (2015), Hva kjennetegner den flermediale nyhetsjournalistikken i NRK, sammenlignet med andre europeiske allmennkringkastere? Norsk medietidsskrift,  22(1) s. 1-15. (15 s.)

Lavik, Erlend (2015), Forfatterskap i TV-drama. Showrunnermodellen, one vision – og Kampen for tilværelsen. Oslo: Universitetsforlaget. (133 s.)

Murdock, Graham, Golding, Peter (2016), Political economy and media production: a reply to Dwyer. Media, Culture & Society, 38(5) 763–769. (6 s.)

Puijk, Roel (2015), Slow television – a successful innovation in public-service broadcasting, Nordicom Review, 36; 95-108. (14 s.)

Sundet, Vilde Schanke (2008), Innovasjon og nyskaping i NRK: En analyse av platform- og sjangerbruk i Rubenmann-prosjektet, Norsk medietidsskrift, vol. 14:4; 282-307. (25 s.)

Syvertsen, Trine (2001), Ordinary people in extraordinary circumstances: a study of participants in television dating games, Media, Culture & Society, 23:3; 319-337. (18 s.)

Ytreberg, Espen. (2004). Formatting participation within broadcast media production. Media, Culture & Society, 26(5), 677-692. (15 s.)

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